[Education]

  • Present - University of Michigan, MI USA
  • Aug. 2014 - University of Michigan, MI USA
    • Master of Science in Computer Science
  • Aug. 2012 - Georgia Institute of Technology, GA USA
    • Master of Science in Music Technology (Research Advisor: Dr. Jason Freeman)
    • Thesis: Audience Participation Using Mobile Phones as Musical Instruments (link](http://hdl.handle.net/1853/44749))
  • Apr. 2010 - Stanford University, CA USA
    • Master of Science in Management Science and Engineering, School of Engineering
  • Feb. 2007 - Seoul National University, Seoul, Republic of Korea
    • Bachelor of Science in Department of Industrial Engineering, College of Engineering

[Conference Papers]

2017

  • Codeon: On-Demand Software Development Assistance
    Y., Chen , S. W. Lee, Xie, Y., Yang, Y., Lasecki, W., Oney, S. In Proceedings of the ACM Conference on Human Factors in Computing Systems (CHI) 2017. Denver, CO. 2017 * Essl, G., \textbf{Lee, S. W.} “The Design of urMus as a Meta-environment for Mobile Music” Journal of Creative Music Systems (\textbf{JCMS}) 2017, Vol. 1. Issue 2 \[0.5em] %5mm vertical space

2016

  • Live Coding the Audience Participation.
    S. W. Lee, Georg Essl.
    In Proceedings of the International Conference on Live Coding (ICLC) 2016, Hamilton, Canada
  • Live Writing the Live Coding Book.
    Alan F. Blackwell, Geoff Cox, S. W. Lee.
    In Proceedings of the International Conference on Live Coding (ICLC) 2016, Hamilton, Canada
  • Live Writing: Writing as a Real-time Audiovisual Performance.
    S. W. Lee, Georg Essl, Mari Martinez
    In Proceedings of the New Instruments for Musical Expression (NIME) 2016, Brisbane, Australia
  • Understanding Cloud Support for the Audience Participation Concert Performance of Crowd in C[loud].
    Antonio D. Carvalho Jr, S. W. Lee, Georg Essl.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2016, Brisbane, Australia
  • Crowd in C[loud] : Audience Participation Music with Online Dating Metaphor using Cloud Service. (link)
    S. W. Lee, Antonio D. Carvalho Jr, Georg Essl.
    In Proceedings of Web Audio Conference (WAC) 2016, Atlanta, United States.

2015

  • Live Writing: Asynchronous Playback of Live Coding and Writing. (link)
    S. W. Lee, Georg Essl.
    In Proceedings of the International Conference on Live Coding (ICLC) 2015, Leeds, United Kingdom
  • SuperCopair: Collaborative Live Coding on Supercollider through the cloud. (link) Antonio D. Carvalho Jr, S. W. Lee, Georg Essl.
    In Proceedings of the International Conference on Live Coding (ICLC) 2015, Leeds, United Kingdom

2014

  • Models and Opportunities for Networked Live Coding. (link)
    S. W. Lee, Georg Essl.
    In Proceedings of The Live Coding and Collaboration Symposium 2014, Birmingham, United Kingdom
  • Communication, Control, and State Sharing in Networked Collaborative Live Coding. (link) S. W. Lee, Georg Essl.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2014, London, United Kingdom

2013

  • Live Coding the Mobile Music Instrument (link)
    S. W. Lee, Georg Essl.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2013, Daejon-Seoul, South Korea
  • echobo : A Mobile Music Instrument Designed for Audience To Play (link)
    S. W. Lee, Jason Freeman.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2013, Daejon-Seoul, South Korea

2012

  • Audience Participation using Mobile Phones as Musical Instruments (link)
    S. W. Lee.
    Master’s Thesis 2012.
  • Evaluating Collaborative Laptop Improvisation with LOLC (link)
    S. W. Lee, Jason Freeman, Andrew Collela, Akito Van Troyer and Shannon Yao.
    In Proceedings of the Symposium on Laptop Ensembles and Orchestras (SLEO) 2012, Louisiana State University, LA USA

[Journal]

2017

  • The Design of urMus as a Meta-Environment for Mobile Music
    Georg Essl, S. W. Lee.
    Journal of Creative Music System(JCMS) Vol. 1

2013

  • Real-time Music Notation in Mixed Laptop-Acoustic Ensembles (link)
    S. W. Lee, Jason Freeman.
    Computer Music Journal 37:4, Winter 2013, MIT Press

2007

  • Sound Detection as an Aid to Increase Detectability of CCTV in Surveillance System (link)
    Yongjun Kim, S. W. Lee, Daniel Hyundo Lee, Jaeyong Kim and Myun W. Lee
    Lecture Notes in Computer Science Volume 4560/2007 Springer Berlin / Heidelberg
  • A Method for Forecasting Demand of High Touch Product using Matrix Analysis of Target Populations and Product Functions (link)
    Won Hee Park, Dae Gap Kim, Ki Sun Kim, S. W. Lee, and Myun W. Lee.
    Journal of the ESK (Ergonomics Society of Korea) Vol. 26, No. 1. ESK

[Conference Posters & Presentation]

  • Web-Based Temporal Typography for Musical Expression and Performance (poster).
    S. W. Lee, Georg Essl. (link) In Proceedings of the New Instruments for Musical Expression (NIME) 2015, Baton Rouge, United States
  • Distributing Mobile Music Applications for Audience Participation Using Mobile Ad-hoc Network (MANET) (poster). (link)
    S. W. Lee, Georg Essl, Z. Morley Mao.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2014, London, United Kingdom
  • Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles (poster) (link)
    S. W. Lee, Jason Freeman, Andrew Collela.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2012, Ann Arbor, MI. USA
  • Tok! : A Collaborative Acoustic Instrument using Mobile Phones (poster) (link) S. W. Lee, Ajay Srinivasamurthy, Gregoire Tronel, Weibin Shen, Jason Freeman.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2012, Ann Arbor, MI. USA
  • Crossole: A Gestural Interface for Composition, Improvisation and Performance using Kinect (poster) (link)
    Sertan Şentürk, S. W. Lee, Avinash Sastry, Anosh Daruwalla, Gil Weinberg.
    In Proceedings of the New Instruments for Musical Expression (NIME) 2012, Ann Arbor, MI. USA
  • Collaborative Musical Improvisation in a Laptop Ensemble with LOLC (link)
    S. W. Lee, Jason Freeman, Andrew Collela, Shannon Yao, Akito Van Troyer.
    In Proceedings of the ACM Creativity & Cognition 2011, Atlanta GA USA

  • LOLC for Laptop Music Ensemble.
    Jason Freeman, S. W. Lee, Shannon Yao, Aaron Albin.
    performance accepted and participated as a panel in panel discussion of “Creativity and Improvisation” at ACM Creativity & Cognition 2011, Atlanta GA USA.

  • Visual Anticipation Aids in Synchronization Tasks.
    Aaron Albin, S. W. Lee, Parag Chordia.
    Presentation accepted at Society for Music Perception and Cognition 2011 University of Rochester, NY USA.

[Performance, Workshop, Demo and Exhibition]

  • Oct. 2016 Crowd in C[loud] @ International Conference on Live Coding (ICLC 2016)(Refereed), Hamilton, Canada
  • Sep. 2016 Live Writing:Gloomy Streets @ International Conference on Computer Music (ICMC 2016)(Refereed), Utrecht, Netherland
  • Jul. 2016 Live Writing:Gloomy Streets @ NIME 2016 (Refereed), Brisbane, Australia
  • Jul. 2016 Led POSSE Workshop: Making Music in Programming using EarSketch @ University of Michigan, Ann Arbor, Michigan
  • Apr. 2016 Demo Accepted Hooking up Web Audio to WebGL Typography @ Web Audio Conference (Refereed), Atlanta, Georgia
  • Apr. 2016 Crowd in C[loud] @ Web Audio Conference (WAC 2016)(Refereed), Atlanta, Georgia
  • Apr. 2016 Live Writing : Reflections Performed by Mari Martinez @ Web Audio Conference ((WAC 2016)Refereed), Atlanta, Georgia
  • Oct. 2015 Performed Aural Cavity @ International Computer Music Conference (ICMC 2015) (Refereed), Denton, Texas
  • Apr. 2015 Live Writing : Reflections Performed by Mari Martinez @ Michigan Mobile Phone Ensemble: Final Class Concert 2015, Stamps Auditorium (Video)
  • Apr. 2015 Performed Crownd in C[loud] @ Michigan Mobile Phone Ensemble: Final Class Concert 2015, Stamps Auditorium (Video1, Video2)
  • Mar. 2015 Performed Live Writing : Gloomy Streets @ Performing Arts Technology Showcase Concert 2014, Britton Recital hall (Video).
  • Mar. 2014 Performed Aural Cavity @ Performing Arts Technology Showcase Concert 2014, Britton Recital hall (Video).
  • Mar. 2014 Performed Aural Cavity @ Class Concert of Interactive Media Design (Video).
  • May 2013 Demo Accepted Improvisation on a live-coded mobile musical instrument using urMus @ the First International Workshop on Live Programming in conjunction with ICSE 2013
  • Apr. 2013 Performed Improvisation on a live-coded mobile music instrument @ Michigan Mobile Phone Ensemble: Final Class Concert 2013, Stamps Auditorium
  • Apr. 2013 Performed T’ai Chi Theremin @ Michigan Mobile Phone Ensemble: Final Class Concert 2013, Stamps Auditorium
  • May 2012 Performed Where Are You Standing? by Bongjun Kim, Woon Seung Yeo @ NIME 2012 (Video)
  • Apr. 2012 Performed Music Slave(Mobile Choir) @ Listening Machines 2012
  • Apr. 2012 Performed echobo @ Listening Machines 2012
  • Feb. 2012 Performed SGLC by Jason Freeman @ Sonic Generator Concert (Video)
  • Nov. 2011 Performed LOLC @ ACM Creativity & Cognition 2011
  • Sep. 2011 Exhibited Crossole @ Atlanta Maker Faire
  • June, 2011 Led LOLC workshop @ H.O.T. Day Camp
  • May, 2011 Performed LOLC @ NIME 2011 (Video)
  • May. 2011 Exhibited Stickies Music @ VISION: I IMAGINE, I SEE, I MAKE
  • Apr. 2011 Performed Crossole @ Listening Machines 2011
  • Mar. 2011 Exhibited Stickies Music @ Sonic Generator Concert
  • Oct. 2010 Performed BeatScape @ FutureMedia Fest 2010 (Video)
  • Oct. 2010 Performed LOLC @ FutureMedia Fest 2010 (Video)

[Academic Experience]

  • Jan. 2014 – Present : Graduate Student Instructor, University of Michigan
  • Aug. 2012 – Present : Graduate Research Assistant, University of Michigan
  • Sep. 2010 – Aug. 2012 : Graduate Research Assistant, Distributed Music Group, GaTech
  • Jun. 2005 – Feb. 2007 : Research and Teaching Assistant, Human Factors Lab., Seoul National University.

[Professional Experience]

  • May. 2015 – Aug. 2015 : Media Technology Lab. Intern, Gracenote
  • May. 2014 – Aug. 2014 : Web Programmer/Designer, Massachusetts General Hospital (http://cfsib.com)
  • Sep. 2011 – May. 2012 : iOS App Developer (Self-employed)
  • Feb. 2010 – Sep. 2010 : Web Programmer/Designer, Stanford University
  • Apr. 2010 – Sep. 2010 : Database Analyst, TrimTabs Investment Research.
  • Jul. 2009 – Apr. 2010 : Independent Contractor, DamnTheRadio Inc.
  • Jul. 2009 – Aug. 2009 : Financial Tech. Intern, TrimTabs Investment Research
  • Apr. 2009 – Jun. 2009 : Tutor, Office of Accessible Education, Stanford University
  • Apr. 2009 – Apr. 2010 : Tech. Desk Consultant, Stanford University
  • Mar. 2007 – Sep. 2008 : Partner, HiBraid Inc.
  • Aug. 2002 – Jun. 2005 : Senior Consultant, AtWorth Inc.
  • Sep. 2001 – Jun. 2002 : Software Engineer, CHI Inc.

[Awards]

[Technical Skills]

C/C++, Java, HTML/CSS/javascript, node.js, php, Objective-C, MatLab, OpenGL, OpenCV, MAX/MSP, mysql, MS-SQL, COCOS-2D, Openframeworks, Processing, Synthesis ToolKit(STK), Chuck, Arduino, lua

[Contact]

For questions or reference : sangwonlee717 [at] gmail [dot] com